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Hanse-Love</image:title></image:image><lastmod>2026-10-18T13:39:34+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/10/22/anya-no-pais-das-maravilhas/</loc><lastmod>2026-10-18T13:39:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/10/28/metoo-a-moda-medieval/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22486436_mp9nw.jpeg</image:loc><image:title>The Last Duel</image:title></image:image><lastmod>2026-10-18T13:39:31+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/11/01/dune-tudo-pelo-espectaculo-e-nada-contra-o-espectaculo/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22187263_w1zwj.jpeg</image:loc><image:title>Dune, de Denis Villeneuve</image:title></image:image><lastmod>2026-10-18T13:39:29+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/11/02/nanni-moretti-a-ausencia-e-o-vazio-sao-partes-integrantes-da-vida/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22351266_qpvsy.png</image:loc><image:title>Tre Piani</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-50.jpeg</image:loc><image:title>Tre Piani (2)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-49.jpeg</image:loc><image:title>Tre Piani (3)</image:title></image:image><lastmod>2026-10-18T13:39:28+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/11/03/mestres-japoneses-desconhecidos-o-cinema-niponico-para-la-dos-canones/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22373440_qbdsr.jpeg</image:loc><image:title>Mestres Japoneses Desconhecidos</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-69.jpeg</image:loc><image:title>The Maid’s Kid</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-9.png</image:loc><image:title>Ginza no onna</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-8.png</image:loc><image:title>A Hole of My Own Making</image:title></image:image><lastmod>2026-10-18T13:39:26+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/11/04/so-a-estetica-fica/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22670286_ngoyw.png</image:loc><image:title>Eternals</image:title></image:image><lastmod>2026-10-18T13:39:25+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/11/07/spencer-a-princesa-que-sonhava-com-o-real/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22190496_rrojr.jpeg</image:loc><image:title>Spencer</image:title></image:image><lastmod>2026-10-18T13:39:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/11/16/a-arte-de-amar/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22369519_gwzj3.jpeg</image:loc><image:title>Les choses qu'on dit, les choses qu'on fait</image:title></image:image><lastmod>2026-10-18T13:39:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/11/16/uma-mao-cheia-de-manias-rotinas-e-cinema-confortavel/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22196233_slu0r.jpeg</image:loc><image:title>The Card Counter</image:title></image:image><lastmod>2026-10-18T13:39:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/11/21/back-to-bataan-john-wayne-um-heroi-americano-alem-fronteiras/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22363052_ozyov.jpeg</image:loc><image:title>Back to Bataan</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-163.jpeg</image:loc><image:title>Back to Bataan</image:title></image:image><lastmod>2026-10-18T13:39:19+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/11/23/na-balada-do-velho-amigo/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-14.jpeg</image:loc><image:title>Oldboy</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22363017_ah86h.jpeg</image:loc><image:title>Oldboy (2)</image:title></image:image><lastmod>2026-10-18T13:39:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/12/01/nada-conheces-sobre-hiroxima/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22348006_jpk6l.jpeg</image:loc><image:title>Hiroshima Mon Amour</image:title></image:image><lastmod>2026-10-18T13:39:16+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/12/02/pedro-almodovar-entre-a-maternidade-e-passados-inconvenientes/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22347626_tc88h.jpeg</image:loc><image:title>Madres Paralelas</image:title></image:image><lastmod>2026-10-18T13:39:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/12/03/a-procura-e-novos-tempos-e-de-uma-nova-maria/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22206067_rzzfm.jpeg</image:loc><image:title>West Side Story</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22670290_8i0gd.jpeg</image:loc><image:title>West Side Story</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-103.jpeg</image:loc><image:title>West Side Story</image:title></image:image><lastmod>2026-10-18T13:39:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/12/10/lina-posso-te-chamar-lina/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-7.png</image:loc><image:title>Lina Wertmuller com os atores Giancarlo Giannini e Mariangela Melato na rodagem de Swept Away / Travolti da un insolito destino nell'azzurro mare d'agosto (1974)</image:title><image:caption>Lina Wertmuller com os atores Giancarlo Giannini e Mariangela Melato na rodagem de Swept Away / Travolti da un insolito destino nell'azzurro mare d'agosto (1974)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-79.jpeg</image:loc><image:title>Blood Feud / Fatto di sangue fra due uomini per causa di una vedova. Si sospettano moventi politici (1978)</image:title><image:caption>Blood Feud / Fatto di sangue fra due uomini per causa di una vedova. Si sospettano moventi politici (1978)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-78.jpeg</image:loc><image:title>Lina Wertmuller e o ator Giancarlo Giannini na rodagem de Seven Beauties / Pasqualino Settebellezze (1975)</image:title><image:caption>Lina Wertmuller e o ator Giancarlo Giannini na rodagem de Seven Beauties / Pasqualino Settebellezze (1975)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-77.jpeg</image:loc><image:title>Lina Wertmuller na rodagem de The Basilisks / I Basilischi (1963)</image:title><image:caption>Lina Wertmuller na rodagem de The Basilisks / I Basilischi (1963)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-76.jpeg</image:loc><image:title>Love and Anarchy / Film d'amore e d'anarchia, ovvero 'stamattina alle 10 in via dei Fiori nella nota casa di tolleranza...' (1973)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22210311_rh3jq.jpeg</image:loc><image:title>Lina Wertmuller</image:title></image:image><lastmod>2026-10-18T13:39:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/12/11/sentimentos-compartimentados/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22702353_z2whv.jpeg</image:loc><image:title>Anora</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22210755_aszmk.jpeg</image:loc><image:title>Compartment Nº6</image:title></image:image><lastmod>2026-10-18T13:39:09+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/12/15/o-pecado-mora-ao-lado-ou-simplesmente-um-adeus-a-rogerio-samora/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22213221_4zjqb.jpeg</image:loc><image:title>98 Octanas</image:title></image:image><lastmod>2026-10-18T13:39:08+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/12/16/keanu-reeves-continua-como-escolhido-para-ressuscitar-sagas/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22347619_boilh.jpeg</image:loc><image:title>The Matrix Resurrections</image:title></image:image><lastmod>2026-10-18T13:39:06+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/12/20/finalmente-temos-aranha/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-297.jpeg</image:loc><image:title>Spider-Man: No Way Home (2)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22216211_ztoud.jpeg</image:loc><image:title>Spider-Man: No Way Home</image:title></image:image><lastmod>2026-10-18T13:39:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/12/21/quando-o-cinema-tomou-a-pilula-vermelha/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22217125_aszvj.jpeg</image:loc><image:title>The Matrix</image:title></image:image><lastmod>2026-10-18T13:39:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/12/25/o-fim-do-mundo-em-cuecas/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/06/trailer-di-dont-look-up-dicaprio-e-lawrence-panic-over-1280x640-1.webp</image:loc><image:title>Don't Look Up</image:title></image:image><lastmod>2026-10-18T13:39:02+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/12/29/os-melhores-filmes-de-2021-segundo-o-cinematograficamente-falando/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2021/12/mixcollage-12-mar-2026-01-06-pm-6007.jpg</image:loc><image:title>Top 2021</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-84.jpeg</image:loc><image:title>Compartment Nº6</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-8.png</image:loc><image:title>Bad Luck Banging or Loony Porn</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-83.jpeg</image:loc><image:title>The Human Voice</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-82.jpeg</image:loc><image:title>Titane</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-81.jpeg</image:loc><image:title>Undine</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-80.jpeg</image:loc><image:title>Gunda</image:title></image:image><lastmod>2026-10-18T13:39:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/01/06/caiu-um-anjo-que-afinal-era-um-homem/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22225880_1jyrm.jpeg</image:loc><image:title>The Kid</image:title></image:image><lastmod>2026-10-18T13:38:58+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/01/07/dear-peter/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22226569_cj6dm.jpeg</image:loc><image:title>Paper Moon (1973)</image:title><image:caption>Paper Moon (1973)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22226572_i4rvq.jpeg</image:loc><image:title>Peter Bogdanovich</image:title></image:image><lastmod>2026-10-18T13:38:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/01/10/a-nuvem-rosa-nao-olhem-para-cima/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22227959_t5wht.jpeg</image:loc><image:title>A Nuvem Rosa</image:title></image:image><lastmod>2026-10-18T13:38:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/01/13/whats-your-favorite-elevated-scary-movie/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22229108_esdfe.jpeg</image:loc><image:title>Scream 5</image:title></image:image><lastmod>2026-10-18T13:38:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/01/17/eisenstein-pudovkin-sempre-camaradas-ate-que-a-montagem-os-separe/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/apip9hn7h__16007.jpg</image:loc><image:title>Battleship Potemkin (Sergei M. Eisenstein, 1925)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22693831_gbh9q.jpeg</image:loc><image:title>Mother (Vsevolod Pudovkin, 1926)</image:title><image:caption>Mother (Vsevolod Pudovkin, 1926)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-122.jpeg</image:loc><image:title>October (Sergei M. Eisenstein, 1927)</image:title><image:caption>October (Sergei M. Eisenstein, 1927)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-121.jpeg</image:loc><image:title>The End of St. Petersburg (Vsevolod Pudovkin,1927)</image:title><image:caption>The End of St. Petersburg (Vsevolod Pudovkin,1927)</image:caption></image:image><lastmod>2026-10-18T13:38:52+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/01/21/o-segredo-esta-no-equilibrio-de-por-onde-der/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22233154_q9p1j.jpeg</image:loc><image:title>El buen patrón</image:title></image:image><lastmod>2026-10-18T13:38:51+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/01/22/o-paradoxo-dos-dois-minutos/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22233915_zwcvz.jpeg</image:loc><image:title>Beyond The Infinite 2 Minutes</image:title></image:image><lastmod>2026-10-18T13:38:49+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/01/24/perdido-por-cem-ou-perdido-por-mil-antonio-pedro-vasconcelos-e-a-sua-juventude-inquieta/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22234767_0ii21.jpeg</image:loc><image:title>Perdido por Cem</image:title></image:image><lastmod>2026-10-18T13:38:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/01/25/na-memoria-das-vidas-passadas-como-nas-futuras/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22235222_wjybh.jpeg</image:loc><image:title>Memoria</image:title></image:image><lastmod>2026-10-18T13:38:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/01/26/a-nova-atracao-de-guillermo-del-toro-e-um-embuste/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22235639_edt5r.jpeg</image:loc><image:title>Nightmare Alley</image:title></image:image><lastmod>2026-10-18T13:35:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/01/29/takes-roterdao-2022-1-as-diferentes-condicoes-humanas/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-15.png</image:loc><image:title>image</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/485698212_24242449942010400_3442685164855607537_n.jpg</image:loc><image:title>Roterdam 2022</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-268.jpeg</image:loc><image:title>A Human Position</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-267.jpeg</image:loc><image:title>Yamabuki</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-266.jpeg</image:loc><image:title>A Criança</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-265.jpeg</image:loc><image:title>Malintzin 17</image:title></image:image><lastmod>2026-10-18T13:35:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/02/05/os-criticos-de-cinema-tambem-vivem-para-amar/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22241060_z3ita.jpeg</image:loc><image:title>Lauro António</image:title></image:image><lastmod>2026-10-18T13:35:48+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/02/09/jacques-doniol-valcroze-o-sofisticado-esquecido-que-se-revelou-conservador/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22243972_39jf6.jpeg</image:loc><image:title>La dénonciation / The denunciation (1962)</image:title><image:caption>La dénonciation / The denunciation (1962)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/20875761_s9bev.jpeg</image:loc><image:title>À bout de souffle / Breathless (Jean-Luc Godard, 1960)</image:title><image:caption>À bout de souffle / Breathless (Jean-Luc Godard, 1960)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22243966_ysj6f.jpeg</image:loc><image:title>L'eau à la bouche / A Game for Six Lovers” (1960)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-38.jpeg</image:loc><image:title>L'eau à la bouche / A Game for Six Lovers” (1960)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-37.jpeg</image:loc><image:title>La dénonciation / The denunciation (1962)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-36.jpeg</image:loc><image:title>La dénonciation / The denunciation (1962)</image:title></image:image><lastmod>2026-10-18T13:35:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/02/11/julie-e-a-pior-pessoa-do-mundo-convencem-nos-o-contrario/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22244995_vali6.jpeg</image:loc><image:title>The 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Lee Thompson, 1969)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-185.jpeg</image:loc><image:title>The Devils (Ken Russell, 1971)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-184.jpeg</image:loc><image:title>Deep Throat / La vera gola profonda (Gerald Damiano, 1972)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-183.jpeg</image:loc><image:title>Céline et Julie Vont en Bateau / Celine and Julie Go Boating (Jacques Rivette, 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Master</image:title></image:image><lastmod>2026-10-18T13:33:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/07/14/por-entre-belissimas-ruinas/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22327749_nchcy.jpeg</image:loc><image:title>Serge Daney</image:title><image:caption>Serge Daney</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-166.jpeg</image:loc><image:title>Moses und Aron (Danièle Huillet &amp; Jean-Marie Straub, 1975)</image:title><image:caption>Moses und Aron (Danièle Huillet &amp; Jean-Marie Straub, 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Women</image:title></image:image><lastmod>2026-10-18T13:32:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/07/18/na-brasilidade-da-ternura/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22322939_bfz1y.jpeg</image:loc><image:title>Amigo Secreto</image:title></image:image><lastmod>2026-10-18T13:32:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/07/19/quando-a-critica-olha-para-a-critica/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22328661_vzlt7.jpeg</image:loc><image:title>Damien Chazelle e Emma Stone</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-383.jpeg</image:loc><image:title>Jonas Trueba</image:title></image:image><lastmod>2026-10-18T13:32:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/07/20/caravaggio-sem-se-lo/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22330629_eio2v.jpeg</image:loc><image:title>Fogo Fátuo</image:title></image:image><lastmod>2026-10-18T13:32:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/07/20/nao-batam-mais-no-ceguinho/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22323602_9wpha.jpeg</image:loc><image:title>History of the World: Part I (Mel Brooks, 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1989)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-108.jpeg</image:loc><image:title>Mariupolis (Mantas Kvedaravicius, 2016)</image:title></image:image><lastmod>2026-10-18T13:32:48+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/07/23/cinema-em-vias-de-extincao-ou-de-mutacao/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22317090_a5hty.jpeg</image:loc><image:title>Videodrome</image:title></image:image><lastmod>2026-10-18T13:32:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/07/24/criticas-do-futuro/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22325483_z3oid.png</image:loc><image:title>Crimes of Future</image:title></image:image><lastmod>2026-10-18T13:32:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/07/25/na-construcao-de-um-remake-a-portuguesa-conversa-com-patricia-muller/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22332920_dfkgh.jpeg</image:loc><image:title>Nos bastidores de "O Pai Tirano" (João Gomes, 2022)</image:title><image:caption>Nos bastidores de "O Pai Tirano" (João Gomes, 2022)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-140.jpeg</image:loc><image:title>O Pai Tirano</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-13.png</image:loc><image:title>"O Pai Tirano" (João Gomes, 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III</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-141.jpeg</image:loc><image:title>World War III</image:title></image:image><lastmod>2026-10-18T13:09:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2022/09/12/as-aventuras-do-suico-na-lisboa-menina-e-branca/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/dans_la_ville_blanche_02.jpg</image:loc><image:title>O ator Bruno Ganz, o assistente de câmara José António Loureiro, o diretor de fotografia Acácio de Almeida e Alain Tanner, durante a rodagem de "Dans la Ville Blanche" / "A Cidade Branca" (1983)</image:title><image:caption>O ator Bruno Ganz, o assistente de câmara José António Loureiro, o diretor de fotografia Acácio de Almeida e Alain Tanner, durante a rodagem de "Dans la Ville Blanche" / "A Cidade Branca" (1983)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22357300_zzawf.jpeg</image:loc><image:title>O ator Bruno Ganz, o assistente de câmara José António Loureiro, o diretor de fotografia Acácio de Almeida e Alain Tanner, durante a rodagem de "Dans la Ville Blanche" / "A Cidade Branca" (1983)</image:title><image:caption>O ator Bruno Ganz, o assistente de câmara José António Loureiro, o diretor de fotografia Acácio de Almeida e Alain Tanner, durante a rodagem de "Dans la Ville Blanche" / "A Cidade Branca" (1983)

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Nova</image:title></image:image><lastmod>2026-10-18T12:31:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/02/13/senhoras-e-senhores-tar-em-tres-actos/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/brody-tar-reviewjpg.webp</image:loc><image:title>Tár</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-44.jpeg</image:loc><image:title>Tár</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-43.jpeg</image:loc><image:title>Whiplash (Damien Chazelle, 2014)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-42.jpeg</image:loc><image:title>Tár</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-1.png</image:loc><image:title>Tár</image:title></image:image><lastmod>2026-10-18T12:31:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/02/16/a-espera-que-a-luz-altere-uma-conversa-com-linh-tran/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22435425_frv5e.jpeg</image:loc><image:title>Linh Tran</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-31.jpeg</image:loc><image:title>Waiting for the Light to Change</image:title></image:image><lastmod>2026-10-18T12:31:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/02/17/star-wars-e-o-que-eles-mais-querem/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22436548_3uehj.jpeg</image:loc><image:title>Ant-Man and the Wasp: Quantumania</image:title></image:image><lastmod>2026-10-18T12:31:38+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/02/18/em-memoria-do-carteiro-de-napoles/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22436847_m9yfp.jpeg</image:loc><image:title>Mario Martone no processo de edição de "Laggiù qualcuno mi ama” / “Somebody Down There Likes Me" (2013)</image:title><image:caption>Mario Martone no processo de edição de "Laggiù qualcuno mi ama” / “Somebody Down There Likes Me" (2013)

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Rabat</image:title></image:image><lastmod>2026-10-18T12:31:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/02/24/adele-exarchopoulos-na-vida-real-sou-timida-no-cinema-consigo-contrariar-isso-porque-converto-me-numa-ideia-do-realizador/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22441433_4kw8y.jpeg</image:loc><image:title>Rien à Foutre / Zero Fucks Given (Julie Lecoustre e Emmanuel Marre, 2021)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22176245_lnkr3.jpeg</image:loc><image:title>I, Tonya (Craig Gillespie, 2017)</image:title><image:caption>I, Tonya (Craig Gillespie, 2017)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-237.jpeg</image:loc><image:title>Rien à Foutre / Zero Fucks Given (Julie Lecoustre e Emmanuel Marre, 2021)</image:title><image:caption>Rien à Foutre / Zero Fucks Given (Julie Lecoustre e Emmanuel Marre, 2021)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-236.jpeg</image:loc><image:title>Rien à Foutre / Zero Fucks Given (Julie Lecoustre e Emmanuel Marre, 2021)</image:title></image:image><lastmod>2026-10-18T12:31:30+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/02/27/arquitectando-males-a-la-canijo/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22443799_wzirw.jpeg</image:loc><image:title>Mal Viver</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-108.jpeg</image:loc><image:title>Viver Mal</image:title></image:image><lastmod>2026-10-18T12:31:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/03/01/as-mil-e-uma-sombras-do-boxeur/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22444810_snlb7.jpeg</image:loc><image:title>Creed 3</image:title></image:image><lastmod>2026-10-18T12:31:25+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/03/03/sera-que-as-tartarugas-tambem-amam/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22445818_it80e.png</image:loc><image:title>A Arte de Morrer Longe</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-14.png</image:loc><image:title>A Arte de Morrer 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Light</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-22.jpeg</image:loc><image:title>Empire of Light</image:title></image:image><lastmod>2026-10-18T12:31:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/03/22/nova-iorque-dentro-de-horas/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22456419_l8e5m.jpeg</image:loc><image:title>Mutt</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-8.png</image:loc><image:title>Mutt</image:title></image:image><lastmod>2026-10-18T12:31:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/03/25/a-critica-em-marcha-de-retirada/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22457940_ffcyd.jpeg</image:loc><image:title>Cinema</image:title></image:image><lastmod>2026-10-18T12:30:59+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/03/25/na-valsa-com-o-chacal/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22458094_at0wt.jpeg</image:loc><image:title>Nayola</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-10.jpeg</image:loc><image:title>Nayola</image:title></image:image><lastmod>2026-10-18T12:30:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/03/30/masmorras-dragoes-e-hugh-grant/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22460628_igtpj.jpeg</image:loc><image:title>Dungeons &amp; Dragons</image:title></image:image><lastmod>2026-10-18T12:30:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/03/30/preencher-um-silencio-em-os-faroleiros-uma-conversa-com-o-compositor-daniel-moreira/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-245.jpeg</image:loc><image:title>"Os Faroleiros" (Maurice Mariaud, 1922)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-244.jpeg</image:loc><image:title>Daniel Moreira / Foto.: Culturgest</image:title><image:caption>Daniel Moreira / Foto.: Culturgest</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-243.jpeg</image:loc><image:title>"Os Faroleiros" (Maurice Mariaud, 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Letter</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22463927_wnnqn.jpeg</image:loc><image:title>Kinuyo Tanaka dirige o ator Shuji Sano em "The Moon Has Risen" (1955)</image:title><image:caption>Kinuyo Tanaka dirige o ator Shuji Sano em "The Moon Has Risen" (1955)</image:caption></image:image><lastmod>2026-10-18T12:30:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/04/11/a-esperanca-esta-do-outro-lado-assinado-kaurismaki/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22466696_3qnud.jpeg</image:loc><image:title>Shadows in 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Directed by John Carl Buechler
Shown: Jason (Kane Hodder)</image:caption></image:image><lastmod>2026-10-18T11:00:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/10/23/o-meu-medo-preferido/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22556755_4r2ne.jpeg</image:loc><image:title>Pedro Cinemaxunga</image:title></image:image><lastmod>2026-10-18T11:00:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/10/24/como-nao-deixei-de-ter-medo-mas-passei-a-gostar-de-me-assustar-no-cinema/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22557920_ylvpp.jpeg</image:loc><image:title>The Mask</image:title></image:image><lastmod>2026-10-18T11:00:13+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/10/25/cinema-e-medo/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22555398_mnuag-1.jpeg</image:loc><image:title>The Great Dictator</image:title></image:image><lastmod>2026-10-18T11:00:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/10/26/house-of-the-devil-utopia-do-terror-sem-terror/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22551276_zclsm.jpeg</image:loc><image:title>House of the Devil</image:title></image:image><lastmod>2026-10-18T11:00:10+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/10/26/nem-todo-os-herois-usam-capa-outros-usam-serrotes/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22558948_mkazi.jpeg</image:loc><image:title>Saw X</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-48.jpeg</image:loc><image:title>Saw X</image:title></image:image><lastmod>2026-10-18T11:00:08+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/10/27/medo-riso-e-masoquismo/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22550320_stjnt.jpeg</image:loc><image:title>High Anxiety (Mel Brooks, 1977)</image:title></image:image><lastmod>2026-10-18T11:00:07+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/10/28/o-terror-da-antecipacao-e-o-prazer-da-entrega-holocausto-canibal/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22548987_7uoza.jpeg</image:loc><image:title>Cannibal Holocaust (Ruggero Deodato, 1980)</image:title></image:image><lastmod>2026-10-18T11:00:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/10/29/ate-amanha-camaradas/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22559892_45dcd.jpeg</image:loc><image:title>Clandestina</image:title></image:image><lastmod>2026-10-18T11:00:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/10/29/o-medo-e-um-fantasma-mais-penado-que-rebecca/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22548784_lg2l1.jpeg</image:loc><image:title>Joan Fontaine em "Rebecca" (Alfred Hitchcock, 1940)</image:title><image:caption>Joan Fontaine em "Rebecca" (Alfred Hitchcock, 1940)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/018-rebecca-theredlist.jpg</image:loc><image:title>Rebecca</image:title></image:image><lastmod>2026-10-18T11:00:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/10/30/se-a-montanha-russa-nao-vai-a-pedro-nao-vai-pedro-a-montanha-russa/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22532246_d6k0a.jpeg</image:loc><image:title>La Morte Rouge</image:title></image:image><lastmod>2026-10-18T11:00:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/10/31/as-estacoes-nao-temem-o-ceifeiro/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22560477_stkru.jpeg</image:loc><image:title>Peter Lorre, Vincent Price, Boris Karloff e Basil Rathbone em imagem promocional de "The Comedy of Terrors" (Jacques Tourneur, 1963)</image:title><image:caption>Peter Lorre, Vincent Price, Boris Karloff e Basil Rathbone em imagem promocional de "The Comedy of Terrors" (Jacques Tourneur, 1963)</image:caption></image:image><lastmod>2026-10-18T11:00:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/11/02/fim-da-humanidade-o-sonho-humido-e-secreto-da-civilizacao/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22580854_pt3ss.jpeg</image:loc><image:title>Le Règne Animal</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-14.jpeg</image:loc><image:title>Le Règne Animal</image:title></image:image><lastmod>2026-10-18T10:59:58+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/11/08/mestres-japoneses-desconhecidos-iii-no-cinema-niponico-o-destino-prega-partidas/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22564709_riqbv.jpeg</image:loc><image:title>Mestres Japoneses Desconhecidos (3)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-13.png</image:loc><image:title>Sound in the Mist</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-72.jpeg</image:loc><image:title>The Gambling Monk</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-71.jpeg</image:loc><image:title>The Tragedy of Bushido</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-70.jpeg</image:loc><image:title>The Tragedy of Bushido (2)</image:title></image:image><lastmod>2026-10-18T10:59:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/11/10/estara-na-altura-de-a-disney-eutanasiar-a-marvel/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22565193_rha4b-1.jpeg</image:loc><image:title>The Marvels</image:title></image:image><lastmod>2026-10-18T10:59:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/11/12/nicolas-philibert-acredito-firmemente-que-a-arte-nos-permite-suportar-o-mundo-a-sua-escuridao-a-sua-miseria-e-violencia/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22566028_v8kzv.jpeg</image:loc><image:title>Sur L’Adamant (2023)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-168.jpeg</image:loc><image:title>Nicolas Philibert na Cinemateca / Foto.: Hugo Gomes</image:title><image:caption>Nicolas Philibert na Cinemateca / Foto.: Hugo Gomes</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-167.jpeg</image:loc><image:title>Sur L’Adamant (2023)</image:title></image:image><lastmod>2026-10-18T10:59:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/11/13/nao-abras-sao-especiarias-incensos-e-os-anos-80-invocados/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22566462_1vprq.jpeg</image:loc><image:title>It Lives Inside</image:title></image:image><lastmod>2026-10-18T10:59:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/11/16/o-pub-da-empatia/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22567592_scdyn.jpeg</image:loc><image:title>The Old Oak</image:title></image:image><lastmod>2026-10-18T10:59:51+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/11/22/tentamos-a-outra-fase-da-moeda-dos-70s-alvalade-cineclube-novamente-nos-trilhos-da-america-da-decada-de-70/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22569665_hp187.jpeg</image:loc><image:title>Wanda (Barbara Loden, 1970)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-249.jpeg</image:loc><image:title>Eraserhead (David Lynch, 1977)</image:title><image:caption>Eraserhead (David Lynch, 1977)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-248.jpeg</image:loc><image:title>Enter the Dragon (Robert Clouse, 1973)</image:title><image:caption>Enter the Dragon (Robert Clouse, 1973)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-247.jpeg</image:loc><image:title>Blue Collar (Paul Schrader, 1973)</image:title><image:caption>Blue Collar (Paul Schrader, 1973)</image:caption></image:image><lastmod>2026-10-18T10:59:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/11/23/eu-sou-o-capitao/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22570118_hob8m.jpeg</image:loc><image:title>Il Capitano (2)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-133.jpeg</image:loc><image:title>Il Capitano</image:title></image:image><lastmod>2026-10-18T10:59:48+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/11/26/um-sonho-de-uma-noite-de-verao-violenta/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22571514_tn6yf.png</image:loc><image:title>Estate Violenta</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-166.jpeg</image:loc><image:title>Estate Violenta</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-18.png</image:loc><image:title>Estate Violenta</image:title></image:image><lastmod>2026-10-18T10:59:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/12/01/a-kagemusha/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/may-december.jpg</image:loc><image:title>May December</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-170.jpeg</image:loc><image:title>May December</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-169.jpeg</image:loc><image:title>May December</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22597887_iugyq.jpeg</image:loc><image:title>May December</image:title></image:image><lastmod>2026-10-18T10:59:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/12/02/os-verdes-anos-ja-foram-excepto-isabel-ruth-ela-fica-entre-nos/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22574089_eimo4.jpeg</image:loc><image:title>Os Verdes Anos (1963)</image:title><image:caption>Os Verdes Anos (1963)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22574088_e2dkh.jpeg</image:loc><image:title>Onde fica Esta Rua? ou Sem Antes nem Depois (2022)</image:title><image:caption>Onde fica Esta Rua? ou Sem Antes nem Depois (2022)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22574087_tmj5n.jpeg</image:loc><image:title>Onde fica Esta Rua? ou Sem Antes nem Depois (2022)</image:title><image:caption>Onde fica Esta Rua? ou Sem Antes nem Depois (2022)</image:caption></image:image><lastmod>2026-10-18T10:59:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/12/05/labirintos-ha-muitos-seu-ben-affleck/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22575418_4o6rt.jpeg</image:loc><image:title>Hypnotic</image:title></image:image><lastmod>2026-10-18T10:59:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/12/07/fechar-os-olhos-para-abri-los-sob-um-novo-olhar/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22576449_saymr.jpeg</image:loc><image:title>Cerrar Los Ojos</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-51.jpeg</image:loc><image:title>Cerrar Los Ojos (2)</image:title></image:image><lastmod>2026-10-18T10:59:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/12/09/musica-maestro/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22577370_2s2r5.jpeg</image:loc><image:title>Maestro</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image.gif</image:loc><image:title>Maestro</image:title></image:image><lastmod>2026-10-18T10:59:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/12/14/precisamos-de-lutar-contra-a-narrativa/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22579767_mel9s.jpeg</image:loc><image:title>Falling Lessons</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-51.jpeg</image:loc><image:title>Falling Lessons</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-50.jpeg</image:loc><image:title>Falling Lessons</image:title></image:image><lastmod>2026-10-18T10:59:39+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/12/16/hoje-e-o-teu-primeiro-dia/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22580351_zucsy.jpeg</image:loc><image:title>Perfect Days</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-120.jpeg</image:loc><image:title>Perfect Days</image:title></image:image><lastmod>2026-10-18T10:59:37+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/12/19/a-minha-casinha-as-quatros-estacoes-em-baiao-numa-conversa-com-antonio-sequeira-e-beatriz-frazao/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22581538_qzco8.jpeg</image:loc><image:title>A Minha Casinha</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-124.jpeg</image:loc><image:title>A Minha Casinha</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-123.jpeg</image:loc><image:title>António Sequeira</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-122.jpeg</image:loc><image:title>Beatriz Frazão na peça de "O Diário de Anne Frank", no Teatro Trindade</image:title></image:image><lastmod>2026-10-18T10:59:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/12/27/os-melhores-filmes-de-2023-segundo-o-cinematograficamente-falando/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2023/12/mixcollage-20-mar-2026-10-58-am-6267.jpg</image:loc><image:title>Top 2023</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-179.jpeg</image:loc><image:title>Falcon Lake</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-178.jpeg</image:loc><image:title>Killers of the Flower Moon</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-177.jpeg</image:loc><image:title>EO</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-176.jpeg</image:loc><image:title>Asteroid City</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-175.jpeg</image:loc><image:title>Perfect Days</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-174.jpeg</image:loc><image:title>Afire</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-173.jpeg</image:loc><image:title>Babylon</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-172.jpeg</image:loc><image:title>Il sol dell'avvenire</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-171.jpeg</image:loc><image:title>Cerrar Los Ojos</image:title></image:image><lastmod>2026-10-18T10:59:34+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2023/12/27/com-nuri-bilge-ceylan-vi-o-alem-por-um-travelling/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22583981_83ydc.jpeg</image:loc><image:title>About Dry Grasses</image:title></image:image><lastmod>2026-10-18T10:59:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/01/03/ferrari-um-filme-de-fe/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22586096_iuwok.jpeg</image:loc><image:title>Ferrari</image:title></image:image><lastmod>2026-10-18T10:59:31+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/01/04/um-homem-em-furia/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22586426_5ghnu.jpeg</image:loc><image:title>Le procès 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(Isael Maxakali, Sueli Maxakali, Carolina Canguçu, Roberto Romero, 2020)</image:caption></image:image><lastmod>2026-10-18T10:16:25+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/04/04/o-hotel-da-tristeza/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2024/04/22625901_m4r78-1.jpeg</image:loc><image:title>Palace Hotel</image:title></image:image><lastmod>2026-10-18T10:16:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/04/05/parabens-e-um-anticristo/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22626485_uotro.jpeg</image:loc><image:title>The First 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Murmúrios</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-226.jpeg</image:loc><image:title>Porto Femme 2024</image:title></image:image><lastmod>2026-10-18T10:16:13+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/04/21/revolucaosemsangueentrevista/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22632461_zewlt.jpeg</image:loc><image:title>Revolução (Sem) Sangue</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-188.jpeg</image:loc><image:title>Rui Pedro Sousa / Fonte.: Cinemundo</image:title><image:caption>Rui Pedro Sousa / Fonte.: Cinemundo</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-187.jpeg</image:loc><image:title>Revolução (Sem) Sangue</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-186.jpeg</image:loc><image:title>Revolução (Sem) Sangue</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-185.jpeg</image:loc><image:title>Revolução (Sem) Sangue</image:title></image:image><lastmod>2026-10-18T10:16:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/04/24/o-facil-engate-de-lisboa/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22633682_pn1b5.jpeg</image:loc><image:title>Amo-te 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Humana</image:title></image:image><lastmod>2026-10-18T10:16:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/05/08/macacotopia/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22639732_rcy98.jpeg</image:loc><image:title>Kingdom of the Planet of the Apes</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-111.jpeg</image:loc><image:title>Kingdom of the Planet of the Apes</image:title></image:image><lastmod>2026-10-18T10:16:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/05/10/dialogo-com-as-sombras/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2024/05/interviews_frederickwiseman_2022.jpg</image:loc><image:title>Un Couple</image:title><image:caption>Un 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Incognita</image:title></image:image><lastmod>2026-10-18T09:58:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/05/20/patrick-wang-faco-muitos-dos-meus-filmes-sem-saber-se-havera-um-proximo/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22644420_cgd7k.png</image:loc><image:title>In the Family</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-216.jpeg</image:loc><image:title>The Bread Factory: Part Two</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-215.jpeg</image:loc><image:title>The Grief of Others</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-214.jpeg</image:loc><image:title>The Bread Factory: Part One</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-9.png</image:loc><image:title>The Grief of Others</image:title></image:image><lastmod>2026-10-18T09:58:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/05/21/a-crianca-do-fogo/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22644954_wlhow.jpeg</image:loc><image:title>Furiosa: A Mad Max Saga</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-30.jpeg</image:loc><image:title>Furiosa: A Mad Max 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Sylvain</image:title></image:image><lastmod>2026-10-18T09:58:34+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/05/26/do-real-para-o-imaginario-cinematografico-com-queimaduras-nas-maos/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22646726_ag3zn.jpeg</image:loc><image:title>Mãos no Fogo</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-56.jpeg</image:loc><image:title>Mãos no Fogo</image:title></image:image><lastmod>2026-10-18T09:58:31+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/05/27/estamos-com-sandra-faleiro/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22647117_z8agw.jpeg</image:loc><image:title>Estamos no 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Fati</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-63.jpeg</image:loc><image:title>Cláudia Varejão (2)</image:title></image:image><lastmod>2026-10-18T08:09:18+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2020/09/04/catarina-vasconcelos-o-que-de-extraordinario-tem-o-cinema-e-a-sua-capacidade-de-repensar-o-mundo/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22350913_ezlly.jpeg</image:loc><image:title>A Metamorfose dos Pássaros (3)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22350897_febqd.jpeg</image:loc><image:title>A Metamorfose dos Pássaros (4)</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/image-59.jpeg</image:loc><image:title>A Metamorfose dos Pássaros 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2020)</image:caption></image:image><lastmod>2026-10-18T08:09:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2021/03/14/non-ou-va-gloria-de-salvar-o-cinema-portugues/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/22041291_zmcs7.jpeg</image:loc><image:title>Fade to Nothing</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-58.jpeg</image:loc><image:title>Sangue do meu Sangue</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-57.jpeg</image:loc><image:title>'Non', ou A Vã Glória de Mandar (Manoel de Oliveira, 1990)</image:title></image:image><lastmod>2026-10-18T08:09:13+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/10/17/bola-preta-23-porta-te-bem-ou-habilitas-te-a-ir-para-o-livro-negro/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/arte-para-canal-youtube-a-castanho-e-vermelho-simples-de-arvores-para-jazz.png</image:loc><image:title>Bola Preta #23</image:title></image:image><lastmod>2026-10-17T21:50:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/10/14/doclisboa-26-todas-as-artes-e-gestos-cabem-no-documentario-as-novidades-de-uma-24a-edicao-segundo-helder-beja/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/mixcollage-14-oct-2026-03-30-pm-3948.jpg</image:loc><image:title>Doclisboa 2026 - Capa</image:title><image:caption>Doclisboa 2026 - Capa</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/images-5.jpeg</image:loc><image:title>Doclisboa 2026</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/6ab415ccbefc6.jpg</image:loc><image:title>Amílcar (Miguel Eek, 2025)</image:title><image:caption>Amílcar (Miguel Eek, 2025)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/6ab415d2ed3b4.jpg</image:loc><image:title>Atlas de la Desaparición (Manuel Correa, 2026)</image:title><image:caption>Atlas de la Desaparición (Manuel Correa, 2026)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/6ab416400617c.jpg</image:loc><image:title>Jaguar (Lino Brocka, 1979)</image:title><image:caption>Jaguar (Lino Brocka, 1979)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/6ab4164b42aa6.jpg</image:loc><image:title>The Remotes (John Torres, 2026)</image:title><image:caption>The Remotes (John Torres, 2026)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/6ab415ea21809.jpg</image:loc><image:title>Vent du Matin (Cláudia Ribeiro, 2026)</image:title><image:caption>Vent du Matin (Cláudia Ribeiro, 2026)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/6ab415f47c041.jpg</image:loc><image:title>Saturno o pequeño tratado de la melancolía</image:title><image:caption>Saturno o pequeño tratado de la melancolía (Mariano Donoso Makowski, 2026)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/a7c03191-copy-600x.jpg</image:loc><image:title>Na rodagem de "13 Alfinetes" (João Pedro Rodrigues &amp; João Rui Guerra da Mata, 2026) / ©José Bértolo</image:title><image:caption>Na rodagem de "13 Alfinetes" (João Pedro Rodrigues &amp; João Rui Guerra da Mata, 2026) / ©José Bértolo</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/image-w856_two_one.jpg</image:loc><image:title>Guerrilha no Asfalto (Edgar Pêra, 2026)</image:title><image:caption>Guerrilha no Asfalto (Edgar Pêra, 2026)</image:caption></image:image><lastmod>2026-10-15T15:18:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/10/14/a-queda-da-warner-bros/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/261006-warner-brothers-skydance-ew-253p-53ea63.webp</image:loc><image:title>Warner Bros by Skydance</image:title></image:image><lastmod>2026-10-14T09:41:18+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/03/16/universos-paralelos-99-a-anarquia-e-caos-dos-irmaos-marx/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/up_youtube2603.jpg</image:loc><image:title>Up #99 - Marx</image:title></image:image><lastmod>2026-10-14T08:56:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/08/01/universos-paralelos-103-parker-o-anti-heroi-de-donald-e-westlake/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/up_youtube2607.jpg</image:loc><image:title>UP #103 - Parker</image:title></image:image><lastmod>2026-10-14T08:47:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/08/05/regressar-a-anatahan/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/08/screenshot-2026-08-05-17.11.55.png</image:loc><image:title>Anatahan</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/08/screenshot-2026-08-05-17.12.22.png</image:loc><image:title>Anatahan</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/08/screenshot-2026-08-05-17.12.09.png</image:loc><image:title>Anatahan</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/08/screenshot-2026-08-05-17.12.38.png</image:loc><image:title>Anatahan</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/08/screenshot-2026-08-05-17.13.05.png</image:loc><image:title>Anatahan</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/08/unnamed.jpg</image:loc><image:title>Anatahan</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/08/05-1.jpg</image:loc><image:title>Anatahan</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/08/mv5bnjdkmwnim2qtymjknc00ytu2lwjiy2etmgqwngeynznhognixkeyxkfqcgc40._v1_.jpg</image:loc><image:title>Anatahan</image:title></image:image><lastmod>2026-10-13T22:05:58+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/10/12/operacao-influencer/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/influencer.jpg</image:loc><image:title>The Influencer Project</image:title></image:image><lastmod>2026-10-12T10:03:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/02/21/universos-paralelos-extra-o-oeste-operatico-de-sergio-leone/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/almeria.jpg</image:loc><image:title>UP Extra - Almeria</image:title></image:image><lastmod>2026-10-11T08:48:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/02/19/universos-paralelos-98-o-body-horror-afectivo-de-julia-ducournau/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/up_youtube2602.jpg</image:loc><image:title>UP #98 - Julia Ducournau</image:title></image:image><lastmod>2026-10-11T07:56:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/01/27/universos-paralelos-97-o-terror-societal-de-kiyoshi-kurosawa/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/up_youtube2601.jpg</image:loc><image:title>Up #97 - Kyoshi Kurosawa</image:title></image:image><lastmod>2026-10-11T07:36:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/10/09/tal-pai-tal-filho-cinefilia-em-familia-close-up-observatorio-de-cinema-prossegue-para-a-sua-11a-edicao/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/mixcollage-09-oct-2026-11-22-pm-1268.jpg</image:loc><image:title>Close Up 2026</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/fotoprincipal_site.jpg</image:loc><image:title>Close-Up 2026</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/f32ed609-b3e0-4d7a-9e7d-596dd3a3e368_1200x675.jpg</image:loc><image:title>A Clockwork Orange</image:title><image:caption>A Clockwork Orange (Stanley Kubrick, 1971)</image:caption></image:image><lastmod>2026-10-09T22:33:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/10/09/cineeco-um-festival-de-cinema-ambiental-sem-medo-de-ser-politico-avanca-para-a-32-a-edicao/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/mv5byzgzmgfiymytzmm2my00mtdjlwe5owytyjk2ymu3zdu4ztcwxkeyxkfqcgc40._v1_.jpg</image:loc><image:title>The System (Joris Postema, 2025)</image:title><image:caption>The System 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Water</image:title></image:image><lastmod>2026-10-09T10:59:19+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/10/08/fabian-stumm-ao-passar-por-estas-historias-de-ficcao-e-viver-estas-fantasias-faco-o-sempre-para-encontrar-novas-formas-de-lidar-com-a-vida/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/sadjokes_03-fabian-stumm-1.jpg</image:loc><image:title>Sad Jokes (Fabian Stumm, 2025)</image:title><image:caption>Sad Jokes (Fabian Stumm, 2025)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/sad-jokes_still_04-1024x579-1.webp</image:loc><image:title>Sad Jokes</image:title><image:caption>Sad Jokes (Fabian Stumm, 2025)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/sadjokes_03-fabian-stumm.jpg</image:loc><image:title>Sad Jokes</image:title><image:caption>Sad Jokes (Fabian Stumm, 2025)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/fdca-2025-sad-jokes-fabian-stumm-critique-film.webp</image:loc><image:title>Sad Jokes</image:title><image:caption>Sad Jokes (Fabian Stumm, 2025)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/transferir.webp</image:loc><image:title>Sad Jokes</image:title></image:image><lastmod>2026-10-08T15:31:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/10/08/a-rede-social-contra-ataca/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/social-reckoning-review-1024x538-1.jpg</image:loc><image:title>The Social 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(2)</image:title></image:image><lastmod>2026-10-06T10:09:38+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2016/12/26/o-nosso-iraniano-moralista/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22749157_6uu6r.jpeg</image:loc><image:title>The Salesman (2)</image:title></image:image><lastmod>2026-10-06T10:06:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/10/06/janelas-discretas-paginas-indiscretas/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/histoires-paralleles-00-1256x826-1.webp</image:loc><image:title>Histoires parallèles</image:title></image:image><lastmod>2026-10-06T09:53:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2014/04/13/quando-o-passado-e-irremediavel-inseparavel-e-incansavel/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/mv5bntawnde5nzi1ml5bml5banbnxkftztgwodk0mzg3mde40._v1_.jpg</image:loc><image:title>Le Passé</image:title></image:image><lastmod>2026-10-06T09:29:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2019/03/14/kraho-nao-o-teu-nome-de-branco/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22479995_mlkvo.jpeg</image:loc><image:title>Chuva é Cantoria na Aldeia dos 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2018)</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/image-40.jpeg</image:loc><image:title>Chuva é Cantoria na Aldeia dos Mortos</image:title></image:image><lastmod>2026-10-06T08:04:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/12/23/os-melhores-filmes-de-2024-segundo-o-cinematograficamente-falando/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/mixcollage-22-mar-2026-06-44-pm-8532.jpg</image:loc><image:title>Top 2024</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-215.jpeg</image:loc><image:title>image</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-214.jpeg</image:loc><image:title>Bowling Saturne</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-213.jpeg</image:loc><image:title>Evil Does Not Exist</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-212.jpeg</image:loc><image:title>Megalopolis</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-211.jpeg</image:loc><image:title>La Chimera</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-210.jpeg</image:loc><image:title>Ryuichi Sakamoto - Opus</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/03/image-209.jpeg</image:loc><image:title>Joker: Folie à 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Stone</image:title></image:image><lastmod>2026-10-05T16:19:19+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2025/11/29/universos-paralelos-95-as-inquietacoes-de-ben-wheatley/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/up_youtube2511.jpg</image:loc><image:title>Up #95 - Ben Whitley</image:title></image:image><lastmod>2026-10-05T16:11:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/10/05/continuamos-a-pensar-na-morte-daquele-deus-trinta-anos-depois-e-elias-merhige-regressa-a-begotten/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/161120582_9d8c14.jpg</image:loc><image:title>E.Elias Merhige dirige Willem Dafoe em "The Shadow of the Vampire" (2000)</image:title><image:caption>E.Elias Merhige dirige Willem Dafoe em "The Shadow of the Vampire" (2000) / Foto.: Jean-Paul Kieffer  © 2001 - Lions Gate Films</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/e-elias.png</image:loc><image:title>E. 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Brooks</image:title></image:image><lastmod>2026-10-04T12:37:25+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2024/12/09/a-guerra-da-caca/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/01/22724096_nhc7s.jpeg</image:loc><image:title>Sasquatch Sunset</image:title></image:image><lastmod>2026-10-04T12:27:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/10/03/mais-vale-um-passaro-na/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/10/large_bird_in_hand-clean-16x9-01.png</image:loc><image:title>Bird in 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Francês</image:title></image:image><lastmod>2026-10-03T17:36:41+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://cinematograficamentefalando.com/2018/11/16/falando-com-beatriz-batarda-a-nossa-sara-a-actriz-do-choro-e-do-riso/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22363486_9eumt.jpeg</image:loc><image:title>Beatriz Batarda</image:title><image:caption>Foto.: Hugo Gomes</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-182.jpeg</image:loc><image:title>image</image:title></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/image-7.png</image:loc><image:title>image</image:title></image:image><lastmod>2026-10-02T19:52:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2015/03/06/yvone-kane-somente-vultos-presos-na-memoria/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2025/12/22352929_otgq8.jpeg</image:loc><image:title>Yvone 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Omvik</image:caption></image:image><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/08/38fe406f-1fd2-40ad-ba75-b9e7d69d6799.webp</image:loc><image:title>Petrolheads</image:title></image:image><lastmod>2026-08-17T16:30:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2026/08/17/pensar-no-agora/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/08/honestino_12_credito__luciana_melo-11988967.webp</image:loc><image:title>Honestino</image:title></image:image><lastmod>2026-08-17T15:08:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cinematograficamentefalando.com/2018/08/18/sobre-tudo-sobre-nada-apoiando-nos-8mm-como-ensaio-memorialista/</loc><image:image><image:loc>https://cinematograficamentefalando.com/wp-content/uploads/2026/02/22360240_ltokl.jpeg</image:loc><image:title>Sobre Tudo Sobre 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